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Justin Timberlake Goes Heavy – Channeling Michael Jackson and Slayer – On Nashville Rocks

justin timberlake suit and tie 

justin timberlake suit and tie 

Justin Timberlake Goes Heavy for the CW

I have to say that I usually won’t post things like this, but DANG! I have too. If you know me, then you know my heart belongs to Rock-n-Roll and the heavier the better until you start screaming garbage or grunting like a hog or Bigfoot. So to my surprise two worlds collided for me with this video. One, I’m not afraid to admit that I used to be a gigantic Michael Jackson fan. If you know anything about Michael, then you have to know that most of what Justin Timberlake is doing is directly from his Michael Jackson music influences. So when I saw this video and JT and Michael Jackson and heavy metal were all smashed up like a freak at a sideshow, you know I HAD to love it.
Yes, I was a fan of the early Rock/Rap mashups from names like Run DMC and Aerosmith and, most notably by me, Anthrax. And lets not forget that Slayer was the metal band to put the huge tones on the first Beastie Boys tune. So please take the time to watch this excellent convergence of metal and pop harkening back to the “good ole days.”


~Jason R. Coleman
President
Nashville Rocks


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Breelan Angel – New Artist Spotlight – CMA Close Up by Bob Doerschuk on Nashville Rocks

Breelan Angel

Breelan Angel

Breelan Angel

You’re a strong young woman who loves going out with friends. Yet you know that even this simple plan can be like weaving between roadblocks, many of them strangers asking for your phone number.

 

Breelan Angel’s It’s My Turn offers a map through this obstacle course. Produced by Dwight Baker for MisBhavin’ Records, it suggests that empowerment is a major draw to the “girls’ night out” experience, whether as a declaration of well-earned independence on the title cut (written by Angel, Greg Barnhill and Joanna Cotten), anticipation of an upcoming San Marcos, Texas, idyll in “Feeling No Pain” (Angel and Clay Mills), a confrontation with a rival for her man’s attention on “Walk of Shame” (Angel and Shane Stevens) or going face-to-face with a barfly who’s being just a little too friendly on “Real Good Night” (Angel and Rachel Thibodeau).

 

But that last song is deceptive: When the beat slows and stops and Angel speaks directly to the guy, her message is optimistic about what may — or may not — follow. It’s more about hope than hostility. Her treatment of this encounter is surprising — and assuring. The Baytown, Texas, native appears to be co-writing from experience on each of these 10 tracks. (Of course, Angel could have written as well about the time she spent at Southern Methodist University or mulling over the idea of studying law, but that somehow sounds less inspirational.) And if it’s imagination more than real-world events that underlies her songs, that says even more about her insight and empathy.

 

IN HER OWN WORDS

 

SONG YOU WOULD LOVE TO COVER

 

“‘Crazy,’ by Patsy Cline. I’m a sucker for the oldies!”

 

PET PEEVE

 

“I hate when people leave wet towels on the floor.”

 

DREAM DUET PARTNER

 

“Definitely George Strait. It would be the biggest honor to get to sing with him.”

 

PHRASE YOU FIND YOURSELF SAYING OVER AND OVER

 

“’Good goat’ – it’s something I always say instead of ‘good grief’ or ‘oh, my gosh.’”

 

TITLE FOR YOUR AUTOBIOGRAPHY

 

Glass Half Full.”

 

On the Web: www.BreelanAngel.com

 

On Twitter: @BreelanAngel

 

© 2013 CMA Close Up® News Service / Country Music Association®, Inc.

 


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Rachele Lynae – New Artist Spotlight – CMA Close Up by Bob Doerschuk

Rachele Lynae

Rachele LynaeRachele Lynae

 

The daughter of a fisherman, Rachele Lynae was raised on Alaska’s Kodiak Island. From the start, she set her eyes far beyond the snow-capped mountains that towered on the horizon, toward the Lower 48 and a career in Country Music. She began singing in church at age 5, did her first show at 11 in the Kodiak Lions Club, started writing songs at 12 and embarked on her first tour at 17. Enrolled after that in Belmont University, she polished her chops at Tootsies Orchid Lounge and other Lower Broadway venues.

In her senior year, Lynae cut an EP that soon made its way to Jamie O’Neal. The celebrated Country artist took Lynae under her wing, eventually producing her self-titled, six-song “party pack” digital EP on O’Neal’s Momentum Label Group imprint. Her single, “Fishin’ for Something” (written by Lynae and Hannah Bethel) dropped July 2, immediately receiving five new adds on Mediabase.

“Party ‘Til the Cows Come Home” (Lynae, O’Neal, Stephanie Bentley and Jimmy Murphy) is a full-bore barn burner, complete with a high-impact guitar lick, internal rhymes and a powerful chorus that summons the listener to join the fun. Equally impressive, Lynae employs multiple arrangement devices — sing-along riffs, sudden breaks and other elements that change constantly yet never impede the groove.

And, oh, yeah, she can sing too. On the power ballad “Done Is Done” (Lynae and Luke Sheets), check out how her intensity varies from delicate to resonant and assertive within the space of a few bars, making it all sound easy and never losing focus. Even in these few moments, Lynae’s fiery delivery could illuminate the Northern Lights.

IN HER OWN WORDS

BOOK ON YOUR NIGHTSTAND

“My Bible is sitting next to a copy of Pride and Prejudice.”

PET PEEVE

“Driving under the speed limit.”

FAVORITE FOOD ON THE ROAD

“When I’m on the West Coast, I have to hit up In-n-Out Burger at least once! Other than that, does coffee count as food?”

WHAT YOU HOPE PEOPLE WILL SAY ABOUT YOU 50 YEARS FROM NOW

“I want people to say that I have always been inspiring and empowering – a cheerleader for love.”

On the Web: www.RacheleLynae.com

On Twitter: @RacheleLynae

 

© 2013 CMA Close Up® News Service / Country Music Association®, Inc.


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The Henningsens – New Artist Spotlight – CMA Close Up by Bob Doerschuk

The Henningsens

The Henningsens by LeAnn MuellerThe Henningsens

These are halcyon times for Country vocal groups. So how does a new group stand out? The Henningsens have at least two ways of making an impression in this crowded field.

One involves songwriting: On American Beautiful, their Arista Nashville debut, Brian Henningsen, son Aaron and daughter Clara, as a trio or in various combinations, join with various co-writers on all 10 tracks, with consistently pleasing results.

Match that with singing that exceeds today’s standards for technique, expression and emotion, and you’ve got a winner on your hands. Producer Paul Worley captures every nuance of Clara’s phrasing and then pulls back to reveal their three-part power in all its glory. The title cut (written by all three with Brett Beavers) anchors on a punchy power-guitar riff and soars on a catchy, sing-along chorus. It’s no surprise that this single totaled 77 Country Aircheck and Billboard radio adds in its first week.

But dig into the album and you’ll discover other levels of artistry. A nostalgic fiddle and dreamy waltz setting take us deep into “Arkansas” (Brian and Clara with Cactus Moser), whose story of aged siblings gathered for a brother’s funeral casts a spell that lingers after the last chord dies. (Recollections of “kerosene nights and innocent days” draw us back into a nearly forgotten past.) And when they join voices to celebrate the light that guides them through stormy times on “To Believe” (all three with Jimmy Yeary), even doubters have to be left feeling a little less alone.

IN THEIR OWN WORDS

BOOK ON YOUR NIGHTSTAND

BRIAN: “Jayber Crow, by Wendell Barry.”

CLARA: “The Bible, Sense and Sensibility.”

AARON: “The Bible.”

WHAT YOU WOULD BE IF NOT A MUSICAL ARTIST

BRIAN: “A farmer.”

CLARA: “A marine biologist.”

AARON: “A senator.”

MUSICAL HERO

ALL: “Our producer, Paul Worley.”

SONG YOU’D WISH YOU’D WRITTEN

ALL: “‘The House That Built Me’ or ‘Wichita Lineman.’”

SOMETHING WE’D NEVER GUESS ABOUT YOU

ALL: “We get along really well but we love to argue. We call it debating.”

On the Web: www.TheHenningsens.com

On Twitter: @TheHenningsens

 

NEW ARTIST SPOTLIGHT: The Henningsens

By Bob Doerschuk

© 2013 CMA Close Up® News Service / Country Music Association®, Inc.


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The Sins – New Artist Spotlight – CMA Close Up by Bob Doerschuk

The Sins

The Sins

The Sins

Listening to Muscadine on Go Time Records, you might bet Joe and Kristen Sins grew up together in some crossroads town deep in the Texas countryside. Not so: Both are Californians, though neither is city folk; Kristen grew up in Sonora, on the edge of Yosemite National Park, while Joe’s roots are in Twentynine Palms, close to another wonder of Western nature, the Mojave Desert.

 

Yet here they are, joined in marriage and music on one of the strongest duo debuts of recent years. Joe has a little grit and twang in his tenor, while Kristen stretches from honeyed intimacy to dramatic upper-register flights. This contrast adds depth to their harmonies without compromising their solo prowess. They wrote each track together too, reflecting their ability to convey emotion with a vivid, even urgent eloquence. And their arrangements are interesting: A unison passage on “One Stoplight Town” symbolizes the passion of their union. Elsewhere, on the title track, they glide between fourths and sixths, with grace or punch as the music requires.

 

With Kent Wells producing, Muscadine has a guitar-heavy sound, mixed tastefully to energize rather than clash with the vocals. This approach electrifies a story of young love on “Romeo and Juliet Sparks” and, even more impressively, the heartbreaking narrative of a woman surrendering her newborn son to another mother on “She Gave It All Up.” This is a classic Country story song, delivered with the finesse, empathy and feeling it deserves.

 

The SinsIN HER OWN WORDS

 

FAVORITE FOOD ON THE ROAD

 

KRISTEN: “Popeye’s Chicken.”

 

JOE: “Del Taco, when I can find it.”

 

DREAM DUET PARTNER

 

KRISTEN: “Kenny Rogers.”

 

JOE: “My wife – and I get to live the dream! Otherwise, I would choose George Strait.”

 

TITLE OF YOUR AUTOBIOGRAPHY

 

KRISTEN: “Unstoppable.”

 

JOE: “It’s Been a Helluva Ride.

 

SOMETHING WE’D NEVER GUESS ABOUT YOU

 

KRISTEN: “I love to play Mario video games.”

 

JOE: “Keep guessing!”

 

On the Web: www.TheSinsCountry.com

 

On Twitter: @TheSinsCountry

 

NEW ARTIST SPOTLIGHT: The Sins Country

By Bob Doerschuk

© 2013 CMA Close Up® News Service / Country Music Association®, Inc.

 


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All I Ever Wanted – Music Video Featuring Tyler Matl

Tyler MatlOfficial Music Video featuring Pop Recording Artist Tyler Matl’s single “All I Ever Wanted” and directed by Rob Swanson. Available NOW on iTunes! http://bit.ly/124L3Or. Follow Tyler on Twitter @TylerMatl or Facebook  http://www.facebook.com/tylermatl

Leave your comments below and let Tyler know what you think about the video.